This program is free and open to the public, but registration is required. Click here to register: http://events.constantcontact.com/register/event?llr=uhlrs88ab&oeidk=a07egf39ccf5f0a780d

The act of producing copies has a special meaning in Buddhism. From simply reciting and rewriting Buddha’s teachings to creating multiple images of sacred Buddhist figures, objects and texts, or the commissioning of one million pagodas, copying served to increase karmic merit—?guaranteeing a better afterlife and eventually leading to enlightenment. In this conversation, Kevin Carr, Associate Professor of Japanese Art History at University of Michigan and specialist of Buddhist art, and Natsu Oyobe, UMMA Curator of Asian Art, will illuminate the significance of copies in Buddhist religious practices, and guide us through Buddhist art objects featured in the current UMMA exhibition Copies and Invention in East Asia. 

Lead support for this exhibition is provided by the University of Michigan Office of the Provost, Michigan Medicine, Lieberthal-Rogel Center for Chinese Studies, Center for Japanese Studies, Nam Center for Korean Studies, and College of Engineering. Additional generous support is provided by the University of Michigan Fabrication Studio at the Duderstadt Center, the Department of Asian Languages and Cultures, and SeeMeCNC 3D Printers.